‘Thunderbirds Are Go’: An international team effort
Mix-media television series ‘Thunderbirds Are Go’ is a powerful example of how Wellington and international entertainment companies can build successful long-term franchises together.
New Zealand On Air (NZOA) has granted 20-year-old animator Charlie Faulks almost $500,000 to produce his own animated web series. Just a few months ago, the Wellington-based student had no idea such funding even existed. But a chance meeting with Wellington writer, editor, and producer Ben Powdrell changed all that.
“It’s crazy because I didn’t even know this funding existed! I was just super lucky to be in the right place at the right time to meet the right people who could help me,” says Charlie.
Inspired by his family and childhood on a Gisborne farm, Charlie created the series from his Mt Cook flat. The horror-comedy follows a father, Bloke, and his son Oliver. The duo combat a zombie apocalypse on their farm in rural New Zealand. Three episodes of the series ‘Bloke of the Apocalypse’ are already on YouTube. Charlie created the series between his studies at Massey University. He is in his third year of study for a Bachelor of Screen Arts.
Initially, Charlie sought funding through Wellington animation studio Floating Rock’s annual event, Pitchfest. It’s where Kiwi creatives submit their ideas for animated TV series or film. If they are voted through to the final round, they win a prize of $110,000. Floating Rock also helps to create the perfect pitch for distributors.
Charlie’s pitch only made it through the first round at Pitchfest. But, it’s where he met producer Ben. Ben was pitching a hybrid animation gross-out comedy for kids called ‘STINKY PITS’ with his 10-year-old daughter, Frida.
Unable to render element
Recognising Charlie’s “rare talent”, Ben went home and showed the ‘Bloke’ episodes to his wife and fellow producer, Francesca Carney. She’d grown up on a farm in Hawke’s Bay and instantly fell in love with the series.
The couple have since taken Charlie under their wing. Together, they helped him to tap into the NZOA funding successfully. Charlie has also collaborated with Ben and Frida on their teaser video animation and concept art for their next ‘STINKY PITS’ pitch. Ben and Francesca will now work alongside Charlie to produce the rest of the ‘Bloke’ series on YouTube.
“It’s been unreal, all this attention for Bloke. It’s my passion project. I’ve worked hard on it, so it feels amazing to have been given such a huge chunk of money to do something I love,” says Charlie.
Ben says it was fortuitous that NZOA announced funding specifically to support young creatives. “And only recently they recognised that to get a youth audience to watch New Zealand content they had to put it on platforms they are watching, namely YouTube and streamers,” he says. Charlie plans to use his funding to combine the three episodes already on YouTube and remaster them. He aims to release them as a pilot full season. He also wants to release six further six-minute episodes, and behind-the-scenes videos tracking his journey.
“While we haven’t got the show on a big streamer yet, we can put it out on YouTube to build an audience around Charlie’s YouTube channel. That way viewers will follow and support him in future ventures,” explains Ben. “Through Charlie telling his story he will be encouraging the next generation of young New Zealand talent to back themselves and make what they want to.”
Both Ben and Francesca believe the young artist, animator and writer will be this generation’s Murray Ball. Murray is the New Zealand cartoonist renowned for his ‘Footrot Flats’ comic series. “Charlie has a unique voice that will speak to a broad audience, it’s fresh and nostalgic. His series will appeal and speak to kids growing up in the regions,” says Ben.
As Charlie jokes about becoming the couple’s fourth child and them his “Wellington parents”, he’s grateful for that chance meeting and the connections — and success — it created.
As a film destination and UNESCO Creative City of Film, Charlie knew that Wellington was a place where connections and collaborations happened. It was the reason he chose to study in the capital. “I’ve always loved drawing. Growing up I was obsessed with Loony Tunes and Scooby Doo, I would redraw those characters. So coming to Wellington to nurture my creativity was a no-brainer,” he says. “Wellington is such a vibrant, creative city. You can walk down the street and you see [Kiwi actor/comedian] Jemaine Clement, it’s mind-blowing!”
Ben and Francesca first met through a mutual producer friend. Having lived in Wellington for more than 25 years, they also say the screen industry constantly intersects with the city’s wider arts scene. “If you are open to it, collaboration lies around every corner. The key is to be brave and put yourself out there.”
Mix-media television series ‘Thunderbirds Are Go’ is a powerful example of how Wellington and international entertainment companies can build successful long-term franchises together.
The New Zealand hit comedy series has used more than 100 locations in Wellington to bring its stories to life.
You’d never suspect that a film of the epic scale of post-apocalyptic adventure ‘Mortal Engines’ was filmed and produced entirely in Wellington, New Zealand.
The lure of film has been strong since childhood for Awa Puna. Whether editing, directing, or acting it feeds her need to tell stories. One such story is showing at the 2024 Māoriland Film Festival.
As part of Wellington’s Screen Accelerator Project, ‘Extreme Cake Sports’ producer Bevin Linkhorn has interest from a Hollywood producer.
Wellington is living up to its coveted title as a UNESCO City of Film hosting a celebration of creative screen talent at the New Zealand Youth Film Festival awards.
New Zealand’s latest drama ‘After The Party’ is the very first series leading Australian producer Helen Bowden has made in Wellington.
Sir Peter Jackson’s blockbuster trilogy ‘The Lord of the Rings’ put Wellington on the map as a major film-making destination.
With easy access to dramatic locations and home to world-leading special effects, and the acclaimed producer of the ‘Lord of the Rings’ trilogy, Peter Jackson. Where else would you make ‘The Hobbit’ trilogy but Wellington?
James Cameron’s film ‘Avatar’ — the highest-grossing of all time — was largely created in Wellington’s world-class facilities.